Piss & Pride

The owner tells him to walk into the room. He walks in. He pisses himself on the threshold. Inside: stress positions, an electro dildo that makes his cock leak without getting hard, bastinado that kills the boxer's feet. He crawls to the boots. He licks. The owner asks him to piss again. He does. Voluntarily.

  • Score 8.7 (1 votes)
  • New Story
  • 5975 Words
  • 25 Min Read

Sack Hell — Bout Two

Roman came for the animal on the second morning.

He did not come first. First came House Alpha with the bucket and the brush, and the cold water hit the slave's skin and the slave gasped and shivered and took it, and the old man scrubbed the night's accumulation of filth from the body without speaking. When he was done, the slave was clean and wet and trembling in the cage, and only then did Roman walk across the yard with his hands in his pockets and his boots making the steady, unhurried sound that accompanied every consequential thing he did.

Two overseers flanked him. Behind the overseers walked a slave — heavy, thick through the arms and chest, a yard man whose function was physical enforcement. The yard man carried no whip. He didn't need one. His hands were the size of dinner plates.

Roman stopped at the cage. He looked down at the animal curled inside, naked, wet, the body striped and bruised, the scrotum still bound in the leather harness, the cock shrunken in the cold water, the face turned upward with eyes that had spent the night learning a new expression. Not defiance. Not surrender. Something between: the face of a man who is still calculating whether resistance is possible and arriving, for the first time, at an answer he does not want.

"Get him out," Roman said.

The overseers unlocked the cage. Hands pulled the slave out by the collar and set him on his knees in the dirt. The slave's legs buckled and straightened and buckled again, the buttock muscles screaming against the welts as his weight settled onto his heels.

Roman began walking. He did not say follow. He walked toward the low concrete building at the far end of the yard, the building with no windows and a heavy door and the unofficial name that every slave on the ranch knew and no slave said aloud.

The overseers pulled the slave to his feet and pushed him forward. The slave stumbled. Walked. The chain between his ankles clanked against the packed earth.


The building was thirty feet away. The door was open.

Roman stopped ten feet from the entrance and turned. The slave was being half-walked, half-dragged by the overseers, and Roman raised one hand and the overseers stopped and released him, and the slave stood there, swaying, naked, wet, and Roman let him look.

Through the open door: a room. Gray concrete walls, a drain in the floor, a single overhead light casting flat, shadowless illumination. A bench in the center, wooden, with leather straps at four points: wrists, ankles, waist, chest. On the wall behind the bench, hooks holding implements arranged in a row: canes, straps, a coiled whip, and objects the slave would not be able to identify from this distance but which he could imagine well enough.

The stains on the bench were not rust.

Roman watched the animal's face. The eyes widened. The nostrils flared. The chest began to rise and fall faster, the Boxer's breathing control, the only tool still operational, cracking at the edges.

"I will do everything for you, Master," the slave said. His voice was raw and shaking and the words came fast, tumbling. "Everything. Please. Whatever you want. I'll work the fields, I'll carry stone, I'll — please, Master, I'll do everything—"

"Will you?" Roman said.

"Yes, Master. Anything. Please don't — please—"

Roman cut the air with two fingers. Silence.

"Then stand up. Walk into that room. And endure what's inside."

The words landed in the yard like a stone dropped into water. The slave's eyes went from Roman's face to the open door and back. His mouth opened. Closed. Opened again.

"Master, please — I'll do everything you wanted from me, I swear, I'll be good, I'll work, I won't — please, Master, not—"

"Stupid animal." Roman's voice did not rise. It lowered. "I don't want your promises. I want you to enter and endure."


The Walk

I stood there and my legs shook and the door was ten feet away and everything I could see through it was designed to produce the thing I was most afraid of, which was not pain, pain I knew, pain had a shape and a duration and a count, but the loss of the count, the moment when the numbers stopped and there was nothing between me and the raw surface of what was happening.

I took one step. My foot hit the concrete threshold and the sound was too loud and my body pivoted to the right, the boxer's instinct to slip, to pivot, to exit the line of fire — and a hand closed on my arm.

Not an overseer's hand. The yard man's hand, the heavy slave, the one with hands like dinner plates. His grip was firm and steady and entirely without malice, the way a handler grips a horse's halter when the horse tries to back away from a gate it has to go through. Not dragging. Guiding. The pressure said forward and the pressure did not negotiate.

My bladder released. Second time in two days. This time not from the electro, not from the cane, not from the ball-rope. Just from horror. Just from looking at the door.

I felt it before I understood it, a warmth spreading from the groin down the inner thighs, and my first thought was the cold water and my second thought was no and my third thought was nothing because the recognition hit: I was pissing myself. Standing in a corridor with a slave's hand on my arm and the door eight feet away and my bladder was emptying because the body had run out of ways to say no and this was the last one, the final circuit-breaker tripping, the body screaming in the only language it had left.

The urine ran down my legs and left a darkening trail on the concrete floor. The yard man's hand did not let go. His grip did not change. The piss ran over my feet and pooled under my heels and the trail stretched behind me like something I was leaving behind and I walked through it and into the room and the yard man released my arm and stepped back and I stood there, soaked, shaking, piss-wet from thigh to ankle, in the center of the room with the bench in front of me and the door behind me and Roman's boots on the threshold.

The door closed.

I was inside. On my own legs. The yard man had guided me but I had walked. I had walked through my own piss into a room with a bench and straps and implements on the wall and the door was closed and I was here because a man had told me to enter and I had entered.

I walked in. He didn't carry me. He didn't drag me. I walked in and I pissed myself and I walked in anyway.


Ring 1: Positions

Roman did not begin with the bench. He began with the floor.

"Present."

The word hit the air and my body went down before my brain approved the motion: knees hitting concrete, legs spreading until the thighs burned, hands locking behind my head. The position was one I'd seen the house slaves hold in the yard, the formal display: everything open, everything exposed, the cock and balls hanging forward between the spread thighs like an offering.

I held. My cane-welted buttocks pressed against my heels and the contact sent a sheet of heat through the welts that made my teeth clamp together. The ball-weights pulled at the harness. The air touched every inch of skin.

What else was I supposed to do? He said present and the body went down. That's not obedience. That's physics. You get hit enough times and the body starts following the shortest path to not getting hit again. Anyone would do the same. Anyone.

"Hold."

He said it once and then he said nothing for what I later understood was ten minutes but which felt like a month. The silence was the tool. The position was the tool. The floor pressing against my knees and the welts pressing against my heels and the ball-weight pulling at my stretched scrotum — each point of contact was a sentence being read to my body in a language that didn't use words.

At minute four, my thighs began to shake — not the adrenaline-shake of the yard but the deep, structural tremor of muscles being asked to hold a position that was designed to make holding impossible. At minute seven, sweat ran from my forehead into my eyes and I couldn't wipe it because my hands were behind my head. At minute nine, a cramp seized my left calf and I grunted and my body swayed and Roman said:

"Hold."

One word. The cramp screamed. I held.

It's just a position. Legs and knees and concrete. I've held harder positions in training — wall-sits with weight plates, duck-walks across the gym floor, Lenny screaming numbers. This is the same thing. Except Lenny gave rest periods and this man doesn't and the welts are screaming against my heels and my balls are being pulled toward the floor and it's the same thing, it's training, it's just training, it's—

It's not training. Training has a purpose I chose. This has a purpose he chose. But what else can I do? The door is closed. The straps are next. Holding the position is the least of what's coming. Hold the position.

At ten minutes, he said: "Squat."

I rose from the kneel into a squat — thighs parallel to the floor, back straight, arms extended forward. He placed a chain weight in each hand. Five pounds each. My soles pressed flat against the cold concrete — the one part of me that hadn't been touched yet.

"Hold."

The squat is a position every boxer knows. Wall-sits are training. But wall-sits last thirty seconds, maybe sixty, and the coach blows a whistle and the set ends and the body drops and the legs flood with relief. Here, there was no whistle. Here, the weight in my hands pulled my arms toward the floor and my thighs burned through the lactic threshold in the first two minutes and then kept burning, past the threshold into the territory where the muscle fibers stop cooperating and begin to fail individually, like lights going out in a building one floor at a time.

This is not a round. Rounds end. This doesn't end. The man behind me decides when it ends and the man behind me has decided that it ends when he says so, and he hasn't said so.

My legs failed at minute six. I crashed forward onto my knees, the weights clanging on the concrete, and the impact on the cane-welted skin tore a sound from my throat that I didn't recognize as mine.

"Again," Roman said.

I squatted. I held. I held for three minutes and fell again. I squatted again. Fell again. Each time the fall was faster, each time the recovery was slower, and each time I rose I was less like a boxer returning to his corner and more like something else — something that stands because it is told to stand and falls because the body fails and stands again because the voice says again and the voice has become the only structure left.

I'm not obeying. I'm surviving. There's a difference. Obeying is choosing. I'm not choosing — I'm doing the only thing the body can do when the alternative is worse. That's not obedience. That's—

What's the alternative? Stay down? He'll make me stand. Refuse? Yesterday was the frame and the cane and the rope. Whatever comes after the squat will be worse than the squat. At least on my feet I have legs. At least squatting I'm still upright. At least—

At least I'm doing what he tells me. That's what "at least" means now. At least I'm doing what he tells me.

Ring 2: The Bench

They strapped me to the bench facedown. The leather went around my wrists, my ankles, my waist, my chest. Four straps, each buckled tight enough that the leather edge pressed grooves into the skin. I could not move. I could not twist. I could not cover myself or clench or roll with anything that was about to land.

The electro dildo was cold.

I felt it before I saw it, a smooth, rigid object pressed against the opening that the processing inspection had found two days ago, and the cold of the metal against the heat of the skin was a temperature gap that made every nerve in the area fire simultaneously. The lubricant was clinical and efficient, enough to allow entry, not enough for comfort, and the object pressed inward and my sphincter resisted and the pressure increased and the sphincter yielded with a burning stretch that produced a gasp I couldn't swallow.

The dildo seated inside me. I felt it, full, rigid, an intrusion that occupied space my body recognized as private, as interior, as mine, and the occupation of that space by an object under another man's control was a violation so fundamental that the body's first response was not pain but panic.

Why was I protecting my hole yesterday? At the inspection — clenching, twisting, throwing a punch to stop two fingers from going in. Two fingers. That was what I fought for. That was what cost me everything. And now there's a metal rod inside me that's thicker than three fingers and longer than any of them and it's seated to the base and nobody had to hold me down because I walked in here and lay on the bench and let them strap me in. Two fingers yesterday. This today. So stupid. So fucking stupid.

Then the electrodes. The overseer unbuckled the harness and lifted the iron weight from my sack, and the relief hit like a punch in reverse, the absence of the pull almost worse than the pull itself, the nerves firing in the sudden vacuum of the tension they had learned to expect, and a moan came out of me that was louder than any of the screams because relief, it turned out, was its own kind of violence. Then he clipped two electrode pads to the stretched, rope-burned skin of my scrotum — cold gel, thin wires running to the same box as the dildo. When the current hit for the first time, I understood what the alternating circuit meant.

The dildo fired first. A pulse inside me — deep, chest-high, a muscular contraction that I did not command and could not stop. My rectal walls clenched around the dildo and the prostate took the charge like a direct line, and the sensation was not pain and not pleasure but a deep, grinding cramp that radiated from the pelvis through the lower spine, and my legs kicked against the straps and my body arched and the bench groaned under the convulsion.

Then the dildo stopped. One second of nothing.

Then the balls. The electrode fired through the pads and the scrotum seized and the nausea hit like a fist to the stomach and the cramp from the dildo was still humming in my pelvis and my body was doing two contradictory things, retching from the ball-shock and clenching from the prostate charge, and the contradiction felt like being torn in half by demands that came from the same source.

Then the dildo again. The pulse deeper this time, longer, and my hips bucked against the straps and my hole clenched around the shaft and I could feel the sphincter gripping the metal with a force I was not commanding, the muscles responding to the current, not to me. The shaft stayed dead, but a thin thread of pre-cum leaked from the slit and dripped onto the bench — the prostate producing fluid under the charge the way a gland produces fluid under pressure, mechanical, involuntary, the body leaking from a cock that was not hard, and the leak was worse than an erection because an erection could be blamed on adrenaline and this could be blamed on nothing except the thing inside me.

I screamed without words. The sound came from the abdominal wall, from the same place the electro-scream had come from in the yard, and the sound was different this time because the yard scream had been surface pain and this scream came from the inside — from the place where the dildo sat, from the core of the pelvis, from the deep cramping that the current produced in muscles I didn't know I had. The mind screaming stop and the body screaming nothing because the body had been disconnected from the mind by a wire running to a box on the floor.

"Scream, beast," Roman said. His voice was calm and close and unhurried. "Scream. No one cares."

The alternation continued. Dildo, balls, dildo, balls. The rhythm was not regular. The gaps varied, three seconds, then one, then five, then immediate, and the unpredictability meant the body could not prepare, could not brace, could not time the clenching, and so the body stopped trying.

I walked in here. He told me to walk in and I walked in. My legs moved. My feet crossed the threshold. The piss trail is still outside the door and I am inside and the thing inside me is clenching my guts and my cock is leaking without being hard and I am strapped to a bench and I walked in here on my own legs and no one dragged me and no one carried me. I entered because he told me to enter. That’s obedience. That’s what obedience is. It’s walking into the room. It’s not the room. It’s the walking.

The pulses stopped. My body shook on the bench in the aftermath, the muscles firing in random sequence, the cock soft and shriveled but still leaking, the pre-cum pooling on the wood surface, the hole clenching and unclenching around the seated dildo in spasms I could not control.

Roman's boots crossed the floor. He stood somewhere behind my head. I couldn't see him. I could hear his breathing, even, measured, the breathing of a man who has observed what he needed to observe.

"You walked in," he said. "Remember that."

Ring 3: Bastinado

They flipped me on the bench. Faceup now, straps rebuckled, wrists, chest, waist, and then the overseer lifted my legs and locked my ankles into a wooden stock at the end of the bench, the soles of my feet pointing upward, presented, exposed. The last part of me that hadn't been touched.

The soles. During the squat I thought it — the soles are still mine. The one part of me that hasn't been hit. And now they're pointing at the ceiling and I can't pull them back and I know what's coming because the body has learned to read the mechanics of this room, and every time the body says "at least this part is still untouched" the room answers.

The cane was thin. Not the rattan from the yard, something smaller, whippier, a rod designed for exactly this. The overseer positioned himself at my feet and tapped the left sole once, twice, light taps, calibrating, the way a technician tests a microphone before the volume goes up.

The first stroke hit the arch of my left foot.

The pain was unlike anything in the catalog. Not the broad heat of the earlier strokes, not the sharp stripe of the cane on the buttocks, not the deep nausea of the ball-rope, not the grinding cramp of the electro. This was a focused, crystalline explosion that detonated in the arch and traveled through the heel and up the Achilles tendon and through the calf and into the knee and stopped there, vibrating, a pain so specific and so total that my body jackknifed against the straps and my mouth opened and the sound that came out was the sound I made when Delgado broke my rib in the fourth round of the Tucson fight, the one sound I swore I would never make again.

Footwork. That's what Lenny always said — everything starts with the feet. Jab starts with the feet. Slip starts with the feet. The whole boxer lives in the soles and the arches and the balls of the feet. Kill the feet and the boxer dies standing up.

The second stroke. Right foot, same arch position. Symmetrical. The overseer was precise: each stroke landing in the same band of tissue, the arch, where the nerves run thick and the skin is thin and the bone is close. The pain compounded: left foot still screaming from the first stroke when the right foot detonated, and the two signals collided somewhere in the spinal column and the legs tried to kick and the stocks held and the kick went nowhere and the force traveled back into the soles and amplified the impact.

What else can I do? Pull my feet away? I can't — the stocks have them. Scream? I'm screaming. Beg? I begged outside the door and he told me to walk in. What's left? What's—

Three. Four. Five. Alternating feet, alternating arches, the thin cane whistling in a short arc and landing with a crack that sounded like a dry stick snapping. By stroke five the soles were swelling. I could feel the tissue puffing under each impact, the arches thickening, the skin heating to a temperature that felt like standing on a stove plate.

I can't walk after this. I won't be able to walk. The feet are gone. The boxer's feet are gone. I used to skip rope for twenty minutes without touching the ground wrong and now the arches are on fire and the heels are next and when the heels go there's nothing left to stand on, nothing left to—

Six. Seven. The heels. The cane shifted from the arches to the heel pads, and the heel-pain was different, deeper, bludgeoned, the thick fat pad absorbing the first layer of impact and then transmitting the rest through the calcaneus bone directly into the ankle joint, and the ankle joint screamed in a frequency the arches hadn't reached because bone-pain is a lower register than tissue-pain and the two registers together formed a chord that the body could not resolve.

"The feet brought you in here," Roman said. He was standing somewhere near my head, watching the soles receive each stroke the way he watched everything, with unrushed patience. "The feet walked you through that door. Now the feet learn what walking costs."

He's right. The feet walked me in. I walked in. My feet crossed the threshold. And now the feet are being destroyed for crossing it and the logic is perfect: the punishment for walking in is losing the ability to walk out. The punishment is the irony. The irony is the lesson.

Eight. Nine. Ten. The soles were no longer recognizable as feet. They were fields of swollen, burning heat, each stroke landing on tissue that was already screaming, each impact sending a fresh shockwave through the legs that the strapped frame could not absorb, the stocks holding the ankles immovable and there was nowhere for the pain to go except up, through the spine, into the brain, which had long since stopped trying to file the signals and was simply receiving them in a continuous roar.

At least — at least what? At least I have feet? I don't have feet anymore. At least I'm still conscious? For how long? At least I walked in? That's not an "at least." That's the reason this is happening.

The cane stopped. My feet throbbed in the stocks, enormous, swollen, the soles pulsing with each heartbeat, each pulse a small detonation that the body flinched from and could not escape. Tears ran from the corners of my eyes into my ears. I hadn't known I was crying.

"Now try to walk out," Roman said.

The door opened. The overseers came. The straps were unbuckled, the stocks opened, the dildo extracted, the withdrawal producing a long, involuntary moan that came from the emptied space inside me, and they lifted me from the bench and my feet touched the concrete floor and the contact was a white-hot scream that traveled from the soles through every joint I owned, and my legs buckled and I went down and they caught me under the arms and dragged me because walking was over, walking was done, the boxer's feet were finished, and whatever was left of the man who had crossed the threshold on his own legs was now being carried by other men's hands through the door he had entered voluntarily.

They put me in the cage. The door locked. The yard was bright with afternoon sun.

I curled on my side. The hole ached with the memory of the dildo. The cock was soft and cold and small.

I walked in. He told me to walk in and I walked in.

There is no version of this where I didn't walk in.

The Animal — After the Bell

The second night in the cage was colder than the first because the body had fewer reserves and the fight was further away. I lay on my side and the ball-weights sat between my thighs and the hole ached with a dull, interior fullness that the dildo had left behind, not pain exactly, but presence, the memory of occupancy, the flesh remembering a shape that was no longer there and clenching around the absence.

I tried to count.

Not strokes. Not rounds. Just — anything. Stars through the cage bars. The number of breaths between the distant bark of the ranch dog and the next bark. Seconds. I tried to count seconds and got to forty-seven and lost the number and started again and got to thirty-two and lost it again.

The counting mechanism was broken. The clock that coach Lenny had installed, two years of three-minute rounds and one-minute rests, the internal metronome that had structured every experience since the gym, was grinding against silence, and the gears had stripped.

This is what happens when you walk into the room. The walking breaks the clock. It's not the bench. It's not the dildo. It's the ten feet of floor that I crossed on my own legs with piss running down my thighs. I chose to enter. He told me to enter and I entered. And the choosing — the walking — the voluntary crossing of a threshold into a room designed to destroy me — that's the thing that killed the count.

Because rounds are things that happen to you. But the room was something I did.

I didn't sleep. The welts throbbed. The hole clenched. The cock lay against my thigh, soft, not the shriveled retreat of pain, but the flat, indifferent softness of a system that had stopped responding to anything at all. Not even the adrenaline-voltage left. The machine had powered down.


Dawn. Gray. The field crews moved past. The chains clinked. The ranch exhaled its first sounds: a rooster, the pump on the well, the overseer's boots crossing gravel. I heard House Alpha before I saw him: the measured tread, the clink of the bucket handle, the scruff of the brush against his thigh.

He unlocked the cage. He set down two buckets this time.

The first bucket hit me and the cold was a blade that cut through every surface simultaneously: skin, muscle, the raw patches where cane-strokes had broken the welts open, the swollen soles, the stretched scrotum, the burning nipples, the aching hole. The water was so cold that the body couldn't decide which part to clench first, and so everything clenched at once, and the convulsion pulled me into a fetal position on the cage floor with my teeth locked and my lungs empty and every nerve screaming a single high note.

The second bucket. Slower this time. House Alpha poured it over my back and let the water run down the spine and over the buttocks and between the legs, and the stream found each wound in sequence, a cold tour of damage.

Then the brush. He scrubbed with the efficiency of a groom presenting stock, thorough, impersonal, someone who'd stopped distinguishing between this body and the last one. The bristles dragged over the welts and the broken skin and I hissed and my body jerked and the hissing was all I had because the screaming credit had been spent in Sack Hell and nothing was left but small, tight sounds.

When House Alpha finished, the body was clean. Wet, shivering, raw-skinned, but clean. The piss from the night, my own, from the walk, and whatever residue the field slaves might have added through the bars, was gone. The filth was gone. The smell was gone. What remained was soap-scrubbed skin over a framework of pain, and the framework was stable, and the pain was catalogued, and the body was presentable.

House Alpha stepped back. He folded his hands behind his back. He stood beside the cage with the blank patience of a man waiting for a door to open.

Boots. The steady, unhurried tread. The sound that preceded everything consequential.

Roman Wolfe crossed the yard.


He stood at the cage. He did not speak. He looked down at what was inside: a twenty-one-year-old ex-boxer, naked, clean, shaking from cold water and two nights of no sleep, the body striped and bruised and welted, the scrotum stretched in its leather harness, the cock soft and small in the cold, the face turned upward with eyes that contained something new.

The cage door was open. House Alpha had unlocked it after the washing.

The man in the cage did not come out.

I looked at Roman's boots. They were the same boots from the yard, expensive leather, clean despite the dust. Six inches of space between the boots and the cage threshold. Six inches and a world.

My legs would not hold me. The soles were a map of compressed agony from the stress positions, and the thigh muscles had been destroyed by the squat-and-fall sequence in Sack Hell, and the calf cramps from two nights of caged immobility had locked the lower legs into rigid, trembling columns that buckled at the first hint of weight.

I crawled.

Hands and knees, out of the cage, onto the packed dirt of the yard. The gravel bit into my palms and the kneecaps pressed into the welted thighs and I crawled until I reached the boots and then I stopped, because the boots were where the world ended and began.

I lowered my head. The forehead touched the dirt. The nose touched the leather. The smell of the boot was polish and dust and the deeper, warmer smell of worn leather that has absorbed a man's sweat and stride, and the smell entered my brain through a channel that bypassed every thought I had ever had about dignity or resistance or boxing or rounds.

My tongue touched the boot.

The leather was smooth and warm and tasted like wax and salt and the surface of a world I was now beneath, and I licked the toe the way — nothing, there was no comparison, there was no way anything — I licked the toe because the animal inside me had learned in two days what the boxer had refused to learn in twenty-one years: there were creatures who stood and creatures who knelt and the distinction was not strength or skill or will but simply this, this leather, this boot, this tongue, this ground.

Between my thighs, the cock lay flat and still. There was no arousal. There was no adrenaline-erection, no lion-on, nothing the body could blame on chemistry. There was only the tongue on the leather and the knees in the dirt and the knowledge, settling like sediment in the gut, that the body was doing this because the body wanted to not be hit again, wanted to not be strapped to a bench again, wanted to not disappoint the man whose boot was under its tongue. Not arousal. Something worse. Submission. The quiet, boneless surrender of a creature that has discovered where the floor is and has decided that the floor is preferable to the fall.

The horror of that was quieter than the horror of the electro. It didn't scream. It settled.

"I've noticed something about you, beast," Roman said. His voice came from above, calm, observational, the tone of a man noting a behavioral pattern in livestock. "From the previous days, I've discovered you like to piss yourself. On the post. Walking into my room. Would you like to amuse me with this performance one more time?"

The words hit the air and the air changed and the boot was still under my tongue and my knees were in the dirt and I understood what he was asking. Not ordering. Asking. Giving me the choice, the performance of the choice, to do it voluntarily.

I pissed.

On all fours, in the dirt of the yard, a grown man, an ex-boxer, licking the boot of his owner and pissing himself like a dog at its master's feet. The warmth ran down my inner thighs and pooled under my knees and mixed with the gravel and the boot-tasting saliva and I kept licking because stopping would mean acknowledging what I was doing with the rest of my body, and I kept pissing because the man above me had asked and the body had learned, in two days, in forty-eight hours, in a span of time so short it should mean nothing, that the man above me was not to be disappointed. Not feared. Not obeyed out of pain. Not disappointed. The distinction was the abyss.

The boots turned. The boots walked away. The piss pooled under me in the dirt.

I stayed on all fours. Forehead in the dirt. Tongue still tasting wax and salt. Knees in a puddle of my own piss. The tears that had not come during the caning and had not come during the electro and had not come during the first piss came now, silent, hot, running from the eyes into the dirt, mixing with the urine that soaked the gravel under my hands.

I licked his boot. I pissed myself when he asked. Not when the cane hit. Not when the electro fired. When he asked. Voluntarily. On all fours in the dirt with my tongue on his leather and my piss running down my legs and I did it because he asked and because I didn't want to disappoint him and I don't know if I'm grateful or destroyed or both.

He won. He won the moment I walked into Sack Hell. Maybe before that. Maybe he won in the yard, or at the post, or when the two men with badges took my hands in the gym bag room and I didn't swing.

I should have swung then. I swung too late. I swung at the wrong man. And now I'm licking boots and pissing myself on command and the man who owns me just asked me to perform and I performed and I can't even say he forced me because he didn't force me. He asked. And I did it.

It felt like a corner-man's hand. After a fight you lost. After a fight you lost bad. When the corner-man puts his hand on your head and says nothing because there's nothing to say, and the touch says: get up, walk to the locker room, shower, go home. It's over.

He won.


To get in touch with the author, send them an email.


Report
What did you think of this story?
Share Story

In This Story